![gorillaz live visuals gorillaz live visuals](https://townsquare.media/site/443/files/2017/04/gorillaz.jpg)
He played multiple instruments including guitar, keytar, piano and omnichord, shoved his face into camera lenses at every opportunity and, at one point, started rolling around the set with a toy ray gun. A messy set strewn with pop culture bric-a-brac looked like the aftermath of a student party in a squat, and with roadies and camera crew scuttling about, zany graphics popping up, and guests joining in both real and virtual form, the effect was chaotically busy.Īlbarn entered into the spirit in a beanie hat and pair of pink plastic sunglasses he might have borrowed from Sir Elton.
#Gorillaz live visuals full#
His replacement was his own face blended with a full moon hanging behind the band, whilst animated characters floated about as astronauts. Each of the sets was effectively the same, however, with only minor variations in between song pattern, and Robert Smith exercising the rock star prerogative of not bothering to turn up for the first early morning broadcast on Saturday. That represented an ambitious undertaking, since the trend in livestreaming has increasingly been to pre-film concerts, removing any sense of jeopardy. Gorillaz performed three concerts across the weekend, each taking place completely live and broadcast at different times to suit audiences around the world. Oddly, perhaps, this is not how it played out in a frenetically busy display in which the multi-talented Albarn held centre-stage throughout. Online should be their ideal medium, if only because Hewlett’s vivid animations could potentially take leading roles rather than being reduced to supporting parts. To be fair, they have got rather good at it over the years, becoming arena favourites with a vast ensemble of players, lots of onscreen visuals and a rota of special guests. The usual problem the creative team face when performing live is translating their zany, youth-centric visual identity into a physical, real world setting in which braindead pin-up vocalist 2-D is impersonated by a grizzled middle-aged Britpop veteran. The gleefully demented invention of Blur’s musical mastermind Damon Albarn and comic book illustrator Jamie Hewlett, this colourful cartoon quartet don’t actually exist in a corporeal sense. If any band seem custom built for online socially-distanced gigging, it is surely Gorillaz. Part all-star virtual jamboree, part mixed-media art installation, the Gorillaz livestream concert extravaganza was as exhausting to watch as it must have been to participate in.
![gorillaz live visuals gorillaz live visuals](https://i.ytimg.com/vi/CDTKyLqVA3s/maxresdefault.jpg)
Sir Elton John made a guest appearance as a Disney-style cartoon, sci-fi singer-songwriter Beck beamed in from LA as a dad-dancing hologram, The Cure’s Robert Smith descended from the moon to sing choruses of Strange Timez, rappers Kano and Slowthai fired off splenetic verses with a 10-piece band, New Order’s Peter Hook delivered a gnarly bass with customary belligerence, and comedian Matt Berry appeared in a cape to read a twisted fairy tale with all the fruity melodrama of his Toast of London.